On the first day I decide to make a choreography, I get so excited, and the moves seem to come together so easily. I walk away happy after making about a minute of progress. And on the second day, I rip into what I accomplished on the previous session, declaring that what I made is not good enough. Ah, the joys of being a perfectionist!
It has been 3 years since I have choreographed any solo work of over a minute in length, and I finally feel up to the challenge again...sort of. To be perfectly honest, I probably wouldn't even consider this project if I weren't teaching it in a workshop. But I am, and so for myself and my students, I am going to continue to kick myself up the hill of artistic struggle until I reach the apex of my creativity. I will probably crash and burn a couple of times along the road, but I am prepared for that and will do my best to fend off self-berating negativity.
Currently, my biggest road block with this project is tapping into the perfect aesthetic. The song I am using is "Phonic Milkshake", a remix of Kelis' classic by Gypsyphonic Disko. Pitting two entirely different music genres - hip-hop and Balkan brass - against each other is usually a love of mine, but apparently when I have to create something concrete to go with the music, I have serious issues. I cannot find my individual style in what I have created thus far; it feels like it has become far more modern cabaret bellydance than tribal fusion.
Manufacturing choreographic inspiration in advance of a performance is not my forte, but I should practice the things that are difficult so that I can be an all-around better artist. And if that includes channeling my inner cabaret again, I'll do it. I know that if I keep pushing forward, I'll get to the other side of the hill and this piece will feel like me again. Patience has never been my greatest virtue, and it is evident now more than ever...but only if I am patient will the real magic happen.
If you'd like to hear "Phonic Milkshake", you can listen to it or download it for free here!

